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	<title>Comments on: 2010 PhotoCamp Utah &#8220;Business of Photography&#8221; Panel</title>
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	<description>Latest Images, Upcoming Shoots and Other Random Tidbits</description>
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		<title>By: Mike Tittel</title>
		<link>http://www.miketittelblog.com/2010/03/22/2010-photocamp-utah-business-of-photography-panel/comment-page-1/#comment-136</link>
		<dc:creator>Mike Tittel</dc:creator>
		<pubDate>Tue, 23 Mar 2010 15:01:31 +0000</pubDate>
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		<description>@ Zac - I think essential gear varies based on each individual photographer and their particular shooting style. I know someone who is a successful portrait photographer that primarily shoots with  two prime lenses and a couple of inexpensive reflectors/scrims. He creates some amazing images with his very simple kit. That is the way he rolls and it works because that is the way he sees.

I on the other hand am not a portrait/family photographer but if I were I would want more in my bag. I would personally feel lost without my basic kit (12-24, 24-70 an 70-200) and a couple of small flashes w/stands to use off-camera. I would also have a second body for back-up and and possibly a small location lighting kit like the Elinchrome Ranger Quadra for some locations. For you it will depend upon how/where you like to shoot. Just remember--more gear will not make you a better photographer. Your vision is the most important thing.

In regards to post-processing--it depends upon what I am shooting and for who. For most of my stock shoots I typically work up a larger number of files since I submit a significant number to my stock agency and like to add as many as possible to my own archives. For assignments when I am under tight deadlines or shoots specifically scheduled to create new work for my portfolio I work up fewer images. Especially if the portfolio images require a ton of post-processing. Time spent on post also varies. It can be as little as a few hours for some shoots or days as in the case of my recent shoot in Hawaii.</description>
		<content:encoded><![CDATA[<p>@ Zac &#8211; I think essential gear varies based on each individual photographer and their particular shooting style. I know someone who is a successful portrait photographer that primarily shoots with  two prime lenses and a couple of inexpensive reflectors/scrims. He creates some amazing images with his very simple kit. That is the way he rolls and it works because that is the way he sees.</p>
<p>I on the other hand am not a portrait/family photographer but if I were I would want more in my bag. I would personally feel lost without my basic kit (12-24, 24-70 an 70-200) and a couple of small flashes w/stands to use off-camera. I would also have a second body for back-up and and possibly a small location lighting kit like the Elinchrome Ranger Quadra for some locations. For you it will depend upon how/where you like to shoot. Just remember&#8211;more gear will not make you a better photographer. Your vision is the most important thing.</p>
<p>In regards to post-processing&#8211;it depends upon what I am shooting and for who. For most of my stock shoots I typically work up a larger number of files since I submit a significant number to my stock agency and like to add as many as possible to my own archives. For assignments when I am under tight deadlines or shoots specifically scheduled to create new work for my portfolio I work up fewer images. Especially if the portfolio images require a ton of post-processing. Time spent on post also varies. It can be as little as a few hours for some shoots or days as in the case of my recent shoot in Hawaii.</p>
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