The Anatomy of a Road Biking Shoot

Anatomy1

It’s no secret. I am huge fan of personal work and portfolio development (examples here, here and here. This week I carved out some additional time to work on another idea I have had floating around in my pea-sized brain and wanted to dig a little deeper than I have in the past into how I work. *DISCLAIMER* I am not at all trying to take credit for the ideas or techniques described in this post. Rather I wanted to share my own discoveries and methods of working.

Road biking can be a tough thing to photograph. The action is super fast, and the repetition (something necessary for creating certain images) can be difficult for the athletes, especially when they are climbing or descending from a mountain pass. Trying to light the cyclist artificially to create a moody and different look, compounds the challenges even more.

The images I envisioned demanded that I shoot the action as it was happening. Somehow having my assistant push me in a wheelchair while I shot with a strobe strapped to the IV hook just didn’t seem to fit. I needed to figure out a way to keep myself and my lighting gear with the action. Enter my Subaru Outback wagon. I could have used a pickup–yes, I know–but I don’t own one, so I did what Mike does best: improvised.

By mounting an Elinchrome head with a beauty dish on a Bogen Superclamp I was able to attach the strobe to the strut on the rear hatch. Voila . . . A light stand and shooting platform that could keep up with the action. And with the Ranger power pack sitting next to me I could easily make adjustments on the fly. Now that I have tested this set-up I could see lots of potential uses on future shoots.

To really put the finishing touches on the photo at the top of the post I did a fair bit of post processing using Adobe Lightroom. I first used the Adjustments Brush to make localized adjustments to exposure, brightness, contrast and clarity. Then to give the image a grungy, desaturated look I simply reduced the overall saturation, warmed up the white balance and really cranked up the overall clarity. It’s a great technique for in-your-face type action.

Below is an additional image from the shoot.

Anatomy2

Equipment Used: Nikon D300, 12-24mm Lens, Elinchrome Ranger RX Speed AS Battery Pack, Speed “A” Head with Beauty Dish, Pocket Wizards and Bogen Superclamp.

Friday, July 10th, 2009 Photo Education, Recent Shoots

1 Comment to The Anatomy of a Road Biking Shoot

Martha Perantoni
July 10, 2009

Aw, Mike, I was sooooo hoping to see those wheelchair shots. ;->

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